Eunoia

Eunoia

Book - 2001
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Now you can invite that jazzman into the comfort of your own home! Reading Eunoia to yourself was fun, sure, but now you can hear it as it was meant to be read - by the author himself! Listen as he wraps his mouth around page after page of the most convoluted tongue twister you've ever heard! You can even follow along in your copy of Eunoia as he trips the vowels fantastic! Recorded in the studio by Torpor Vigilante and Coach House author Steve Venright, this CD features Bö k reading Eunoia in its entirety - in his uniquely energetic, well enunciated dadaist style. This CD is a must for anyone interested in the way Eunoia tangos with the English language.
Publisher: Toronto, ON : Coach House : 2001
ISBN: 9781552450925
1552450929
Branch Call Number: 819.1 B637e
Characteristics: 105p

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kurthallsman Mar 12, 2016

Like all art made within a set of determined parameters, the determined parameters , in the end, often become more interesting than the actual finished work.

Although clever and enjoyable at first, in short, this book after awhile, starts to read very much like an adult version of "Socks In Fox."

Actually, I never made it to "U." And was often left asking sometimes "Y"?

u
Ubalstecha
Dec 08, 2011

Eunoia is the shortest word in the English language that contains all of the regular vowels. It means beautiful thing, which this collection is. It is divided into five chapters, each one containing only words that consist of one of the vowels. So chapter one has only "A"s, chapter two "E"s and so forth and so on. It is also coherent and readable, quite an achievement for a "gimmick" book.

Worth picking up.

v
vickiz
Oct 04, 2009

Eunoia by Canadian experimental poet Christian Bok is the 74th of a series of titles selected by writer Yann Martel to provide to Canadian Prime Minister Stephen Harper, to encourage an appreciation of the arts and literature in particular in the PM, and to also help Harper with his stillness and thoughtfulness. Martel has regularly sent books from a wide range of literary traditions to Harper. Since he started this initiative in April 2007, Martel has devoted a Web site to the reading list and to his kind, considered and often poignant covering letters with each volume. (All of his letters can be read at http://www.whatisstephenharperreading.ca/. They are also now in printed form, in a book entitled, not surprisingly, What is Stephen Harper Reading? )

Martel's thoughtful persistence in this quest is both heartwrenching and highly commendable. He has never received a direct acknowledgement from Harper, and only some fairly form-letter responses from Harper's staff. He has also received a response from Industry Minister Tony Clement, but it wasn't directly related to any of Martel's book selections.

Eunoia won the 2002 Griffin Poetry Prize, became the bestselling poetry book of all time in Canada, and recently came out in a second edition with new material. The Griffin judges cited the work as follows: "Christian Bök has made an immensely attractive work from those “corridors of the breath” we call vowels, giving each in turn its dignity and manifest, making all move to the order of his own recognition and narrative. Both he and they are led to delightfully, unexpected conclusions as though the world really were what we made of it. As we are told at the outset, “Eunoia, which means ‘beautiful thinking,’ is the shortest English word to contain all five vowels.” Here each speaks with persistent, unequivocal voice, all puns indeed intended." Could Stephen Harper benefit from some "beautiful thinking"? It seems Yann Martel thought so.

Some reviewers dismissed Eunoia as a clever parlor trick, not really a work of artistic merit. Having read it, I confess that while I marvelled at the discipline involved in creating the work, it left me kind of cold at times. However, having seen Bok present it - live and on video - there is no denying the passion he applies to this and all his work.

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vickiz
Feb 20, 2010

Writing is inhibiting. Sighing, I sit, scribbling in ink
this pidgin script. I sing with nihilistic witticism,
disciplining signs with trifling gimmicks -- impish
hijinks which highlight stick sigils. Isn't it glib?
Isn't it chic? I fit childish insights within rigid limits,
writing schtick which might instill priggish misgiv-
ings in critics blind with hindsight. I dismiss nit-
picking criticism which flirts with philistinism. I
bitch; I kibitz - griping whilst criticizing dimwits,
sniping whilst indicting nitwits, dismissing simplis-
tic thinking, in which philippic wit is still illicit.

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